A GILT-BRONZE GROUP OF YAMANTAKA VAJRABHAIRAVA AND VAJRAVETALI TIBET. 17th CENTURY.

A QING DYNASTY GILT BRONZE FIGURE OF YAMANTAKA VAJRABHAIRAVA AND VAJRAVETALI 17TH/18TH CENTURY. Dimensions: 7 3/4 x 6 x 3 3/4 in. Provenance: The vendors relative was one Mr Robin George who was train

Very rare and stunning Figure Of Vajrabhairava Yamantaka Gilt bronze,China/Tibet, 18th century Depiction of the Figure Of Vajrabhairava Yamantaka with 12 arms .Serebe expression with a benevolent smil

Agilt bronze figure of Buddha, Tibet, 17th Century. Seated in dhyanasana on a double-lotus base with the hands in bhumisparsamudra, clad in a diaphanoussanghati with beaded hems, the face with serene

14TH- 17TH CENTURIES TIBET GILT BRONZE BUDDHA STANDING STATUE, CHINA ; H. 34 cm. W. 19 cm. Weight 3360 gram.

17th C Tibet Seated Gilt Bronze Lama; base sealed. Age related wear spots to gilding and back of head. Heigh 2 3/4 inches (7 cm.). Provenance: Old Long Island Collection of the Art of Tibet.

Bronze fire-gilt China / Tibet , 17th century Dimensions: 8 x 5 x 3,5 cm Weight: 302 grams Seated astride his goat reclining on a rocky base, the animal’s head turned towards the deity, his rig

AN ANTIQUE CHINESE SINO-TIBETAN GILT-BRONZE BUDDHA FIGURE OF DHARMAPALA YAMANTAKA AS VAJRABHAIRAVA, 18th Century in Yab-Yum with his Sakti, his sixteen legs standing in pratyalidhasana on birds, anima

17th Century H:16in W:11in

Tibet, circa 17th century. Of typical form with crisp decoration. This Vajra is unusual in that is is constructed in two pieces that are pinned together as can be seen in the photos. This indicates th

Tibet, ca. 17th century. The wrathful deity Palden Lhamo brandishing a trident and wearing a garland of human heads. Custom base. Ex: Estate of Diran Dohanian, distinguished art historian and Asian ar

Tibet, 16th/17th century, votive sculpture in gilded bronze. Signs of use. Dim.: 7.5 cm.

Tibet, 19th Century An important heavy gilt bronze group cast depicting Samantabhadra in tantric union with his mystical wife Samantabhadri. The two deities are shown here in the Yab Yum sacred embrac

17th Century - A Gilt Bronze Figure Of Yamantaka H: 14.8 cm 17 世紀 - 銅鎏金大威德金剛 來源 Provenance: 美國西

Central Asia, Tibet, ca. 18th century CE. Cast via the lost wax (cire perdue) process, a gilded bronze statue depicting Yamantaka, a violent aspect of the Bodhisattva Manjushri, who takes on this phen

China, 16th/17th C., Gilt Bronze Figure of Tara from Tibet, relaxed figure, leaning backwards with one leg stretched and arms in Madras pose, wearing crown and surrounded by ribbons. Height 4 1/2 in.

China, 16th/17th C., Gilt Bronze Figure of Tara from Tibet, relaxed figure, leaning backwards with one leg stretched and arms in Madras pose, wearing crown and surrounded by ribbons. Height 4 1/2 in.

A Gilt-Silver Figure Of Yamantaka Vajrabhairava. Stood on a base with a dignified expression, feet stepping on prostrating figures, overhead a holy, fire-like aureola.17th Century. Size:15cmx7.5cmx18.

Himalayan Art A group of five bronze figures: four Buddhist and one Hindu Tibet, India, Thailandia, 17th-19th century . . Cm 7,50.

STANDING TARA Gilt-Bronze Nepal or Tibet, 19th century or earlier Dimensions: Height 40 cm Wide 16 cm Depth 10 cm Weight: 4091 grams A Tibetan or Nepalese gilt bronze figure of

Fierce nine-headed Vajrabhairava with wild flaming hair, standing in alidhasana with his consort Vajravetali on a single lotus throne, with a fan of multiple arms, the principal arms embracing his con

17th-18th century AD. A mixed group of bronze earrings, each a crescent plate with outer band of claw cells each holding a glass insert. 9.9 grams total, 19-23mm (3/4 - 2"). Property of a gentleman; a

13th-17th century AD. A mixed group comprising: a flat-section bronze plaque with hole to centre and each arm, silver inlay; a silver-gilt plaque with loop, turquoise cabochons with filigree and granu

Fine Tibetan Gilt Bronze Yamantaka Vajrabhairava and Consort 8''x5.5''. A parcel gilt three part buddhist bronze with decorated copper bottom plate. Old repair to right leg and missing pin on back. Ov

This Buddha statue shape is dignified, the proportion is well-proportioned, and the image is dignified. Full and pleasing to the eye, magnificent, exquisite craftsmanship, full of grace and luxury.Hig