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Kathe Kollwitz German Expressionist Charcoal Paper

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Kathe Kollwitz German Expressionist Charcoal Paper

Lot 0065 Details

Description
Charcoal on paper. Featuring a study of a woman's face. Signed Kathe Kollwitz on the lower right corner. Inscribed 78 and stamped BOHLER Auktion on verso. Attributed to Kathe Kollwitz (1867-1945, German). 20 x 28.5 cm (7.75 x 11 inches). PROVENANCE: Southern Ontario estate

Kathe Kollwitz (1867-1945) was a German artist whose Expressionistic prints, woodcuts, and sculptures empathetically portrayed human suffering. Capturing the anguish and plight of the impoverished and injured in a country torn apart by armed conflict, Kollwitz herself suffered numerous losses during the wars—including the death of her youngest son in World War I. “It is my duty to voice the sufferings of humankind, the never-ending sufferings heaped mountain high,” she once stated. “This is my task, but it is not an easy one to fulfill.” Born on July 8, 1867 in Königsberg (now Kaliningrad), Prussia, Kollwitz showed a high aptitude for drawing at an early age, and studied at the Women’s Academy in both Berlin and Munich, where she became captivated by the work of Peter Paul Rubens. Her series of etchings The Weavers (1898) first brought her critical attention, and she joined the Berlin Secession from 1901 until 1913 alongside its notable members Emil Nolde, Ernst Ludwig Kirchner, and Max Beckmann. A lifelong pacifist, the artist’s work served as a pointed social and political critique of nationalism. Later in life, she faced persecution at the hands of the Nazi Regime, but was undaunted in her creative output. Kollwitz died on April 22, 1945 in Moritzburg, Germany at the age of 77. Today, her works are included in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Käthe Kollwitz Museum in Berlin, and the Albertina in Vienna, among others.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Kathe Kollwitz German Expressionist Charcoal Paper

Estimate $2,000 - $4,000
Aug 15, 2019
Starting Price $300
5 bidders watching this item
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0065: Kathe Kollwitz German Expressionist Charcoal Paper

Sold for $950
15 Bids
Est. $2,000 - $4,000Starting Price $300
MODERN ART, SIGNED LITHOGRAPHS & GEMSTONES
Thu, Aug 15, 2019 02:00 PM
Buyer's Premium 22%

Lot 0065 Details

Description
...
Charcoal on paper. Featuring a study of a woman's face. Signed Kathe Kollwitz on the lower right corner. Inscribed 78 and stamped BOHLER Auktion on verso. Attributed to Kathe Kollwitz (1867-1945, German). 20 x 28.5 cm (7.75 x 11 inches). PROVENANCE: Southern Ontario estate

Kathe Kollwitz (1867-1945) was a German artist whose Expressionistic prints, woodcuts, and sculptures empathetically portrayed human suffering. Capturing the anguish and plight of the impoverished and injured in a country torn apart by armed conflict, Kollwitz herself suffered numerous losses during the wars—including the death of her youngest son in World War I. “It is my duty to voice the sufferings of humankind, the never-ending sufferings heaped mountain high,” she once stated. “This is my task, but it is not an easy one to fulfill.” Born on July 8, 1867 in Königsberg (now Kaliningrad), Prussia, Kollwitz showed a high aptitude for drawing at an early age, and studied at the Women’s Academy in both Berlin and Munich, where she became captivated by the work of Peter Paul Rubens. Her series of etchings The Weavers (1898) first brought her critical attention, and she joined the Berlin Secession from 1901 until 1913 alongside its notable members Emil Nolde, Ernst Ludwig Kirchner, and Max Beckmann. A lifelong pacifist, the artist’s work served as a pointed social and political critique of nationalism. Later in life, she faced persecution at the hands of the Nazi Regime, but was undaunted in her creative output. Kollwitz died on April 22, 1945 in Moritzburg, Germany at the age of 77. Today, her works are included in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Käthe Kollwitz Museum in Berlin, and the Albertina in Vienna, among others.
Condition
...
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

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