Giovanni Battista Piranesi, (Italian, 1720-1778), Roman

Giovanni Battista Piranesi (Italian, 1720-1778) Roman Views (five works) etching Sight: 21 x 16 inches. Estimate $1,000-2,000 Provenance: R.S. Johnson Fine Art, Chicago, Illinois

After GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) "Roman Ruins with Plants", "Teatro di Marcello", "Veduta della Piazza Rotonda" and "Veduta di Piazza di Spagna" Etching (posthumous printing). Sigh

Antique Giovanni Battista Piranesi, (Italian, 1720 - 1778) Etching Roman Temple Interior from Vedute di Roma (Views of Rome). Titled Veduta interna del Sepolcro di S. Costanza, fabbricato da Constanti

After GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) Ten unframed "Ancient Roman Architectural Ruins" Etching (posthumous printing). Each is matted and wrapped in plastic. Largest: 37 1/8 x 26 1/8 inc

After Giovanni Battista Piranesi (Italian, 1720-1778), 1821, etching on paper of Roman ruins, 20 1/2" x 27" sight, 31" x 37 3/4"framed.

After LUIGI ROSSINI and After GIOVANNI BATTISTA PIRANESI (Italian 1790-1857) and (Italian 1720-1778) Ten unframed "Roman Architectural Ruins" Etching (posthumous printing) Largest including mat: 24 3/

A collection of four etchings and engravings by Giovanni Battista Piranesi (Italian, 1720 - 1778) Three of them depicting various signed Roman views and one with Frieze studies. Framed. Provenance: Do

Giovanni Battista Piranesi (Italian, 1720-1778)A group of four Piranesi etchings: Veduta del Tempio di Cibele; Veduta Interna del Sepolcro di S. Costanza; Urna ceneraria antica al Signor Egido Earle C

Giovanni Battista Piranesi (ITALIAN, 1720–1778) Architectural Etching "Veduta". Signed in the print, Roman numeral XIV upper right, T O M III upper left. Toning from age or in overall good condition

Giovanni Battista Piranesi, Italian, 1720 to 1778, original etching, burin and drypoint on paper, View of the Roman Campidoglio with Staircase leading to the Church of Araceli, 1757, from Vedute di Ro

[Piranesi] Piranesi, Giovanni Battista (Italian, 1720-1778). Second title page (Italian text): On the Grandeur and the Architecture of the Romans (Della Magnificenza ed architettura de'Romani. Opera d

Gio Batta Piranesi Approx 23" wide x 27" including the frames. Piranesi Giovanni Battista (1720 - 1778)

Gio Batta Piranesi Approx 23" wide x 27" including the frames. Piranesi Giovanni Battista (1720 - 1778)

Giovanni Battista Piranesi (Italian, 1720-1778) two etchings, Carceri title plate and Plate VI, both matted and framed. Not examined out of frames. The smaller sight size: 21 1/2" high, 16 1/2" wide.

Giovanni Battista Piranesi (Italian, 1720-1778). Group of three 18th century classical architectural engravings depicting urns from "Vasi, Candelabri, Cippi, Sarcofagi,....". Presented in matching ebo

Giovanni Battista Piranesi (Italian, 1720-1778). Group of two 18th century classical architectural engravings depicting urns from "Vasi, Candelabri, Cippi, Sarcofagi,....". Presented in matching ebony

Giovanni Battista Piranesi (Italian 1720-1778)- 3 Architectural engravings- from ''Della Magnificenza e d'Architettura de' Romani'' Tab XVII, Tab XVIII and Tab XIX'' (Wilton Ely 777-779), generally go

Giovanni Battista Piranesi , Italian (1720-1778). Circa 1760 etching on woven paper of Veduta dell Arco di Tito (The Arch of Titus) from Piranesi series Vedute di Roma (Views of Rome). Focillon 209, T

Giovanni Battista Piranesi (Italian, 1720-1778), etching, "Veduta di Piazza Navona sopra le rovine del Circo Agonale", from "Vendute di Roma", 18 1/2" x 27 1/2" plate, 25 1/4" x 34 1/4" overall, laid

Giovanni Battista Piranesi, Italian, 1720-1778. Etching, engraving and burnishing on wove paper titled "The Pier with a Lamp", plate XV from the "Carceri d'invenzione" (Imaginary Prisons) series. Sign

Giovanni Battista Piranesi (Italian, 1720-1778), two architectural engravings, six-part engraving mounted on linen, framed under glass; 30" h x 19 3/4" w (view), 49 1/4" h x 37 1/2" w (frame). Provena

Giovanni Battista Piranesi (Italian, 1720-1778), 3 engravings. 1st item: Frontispiece for Antichita Romane Vol. 2, first issued 1756, depicting the meeting of the Via Appia and the Via Ardeatina. Engr

Giovanni Battista Piranesi (Italian, 1720-1778) , "Veduta dell'Arco di Settimio Severo", c. 1772, etching, from Vedute di Roma, fleur-de-lis in double oval watermark visible, "Davidson Galleries, Seat

Large Pair of Neoclassical-Style Hand-Painted Architectural Panels depicting urns in the manner of Giovanni Battista Piranesi (Italian, 1720-1778), presented in matching carved hardwood frames decorat