
Paolo Uccello - Christ at the Cross
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Artist: Paolo Uccello - Title: Christ at the Cross - Medium: Fine Art Giclee on Canvas - Image Size: Approximately 20 inches x 13 inches - Unframed on Unstretched Canvas - Biography: Paolo Uccello (c. 1397 - 10 December 1475), born Paolo di Dono, was a Florentine painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. Paolo worked in the Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of followers.
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New
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0017: Paolo Uccello - Christ at the Cross
Sold for $120
•6 BidsEst. $250 - $300•Starting Price $1
Midweek Art & Jewelry Galleria // 1.19.22Jan 19, 2022 12:00 PM ESTBuyer's Premium 19.75%
Lot 0017 Details
Description
...
Artist: Paolo Uccello - Title: Christ at the Cross - Medium: Fine Art Giclee on Canvas - Image Size: Approximately 20 inches x 13 inches - Unframed on Unstretched Canvas - Biography: Paolo Uccello (c. 1397 - 10 December 1475), born Paolo di Dono, was a Florentine painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. Paolo worked in the Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of followers.
Condition
...
New
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