MEASUREMENTS:40"WX28"H FRAMED, MINT CONDITION/"in the style of" Eddie Martinez is a New York-based artist best known for large-scale paintings that feature bold color, urgent line and brushwork, and graphic shapes and forms. n his shows "Salmon Eye" (2016) and "Cowboy Town" (2017), Martinez returned with amalgamations of abstraction and figuration emphasizing the immediacy and speed of drawings, which were painted with less textural surface build-up and more white space.They originated as small Sharpie drawings that he enlarged as black silkscreens on canvas, sometimes treating the lines like a blueprint and others times disregarding or obscuring them entirely with oils, enamel, and spray paint.[4][7] Critics suggested the latter show, which featured forms emerging out of chaos (e.g., When We Were in Good Hands, Cowboy Town) reflected a dystopian response to the contemporary U.S. sociopolitical climate.Martinez attracted institutional recognition in the latter 2010s, with five museum solo shows in three years. His first, "Ants at a Picknic" at the Davis Museum (2017), presented a new series of large-scale mandala paintings, painted bronze tabletop sculptures and large framed drawings. In the paintings, the mandalas serve as containers for shapes and marks, much like his earlier table works; based on small drawings that he enlarged, they highlight Martinez's command of linework. His immersive, four-wall, salon-style exhibition at The Drawing Center the same year recreated the wall of abstract drawings—done at home and in the world—accruing in his studio over several years.It ultimately comprised roughly two thousand drawings (many swapped in throughout the show), from idle, automatic-drawing doodles to painting studies; some of his paintings were hung over them to highlight the connections between the two mediums./Private collection, no documentation. We offer a 14day money back guarantee if you are not satisfied with your purchase send back for full refund within 14 days.