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PETERS, Harry T. America on Stone: The Other

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PETERS, Harry T. America on Stone: The Other
Item Details
Description
PETERS, Harry T. America on Stone: The Other Printmakers to the American People. New York: Doubleday, Doran and Company, 1931. 4to. Additional color pictorial title, 18 colored and 136 black and white plates of examples of the work of more than 100 different craftsman from every part of America. Publisher’s grey linen over beveled boards lettered in silver foil; original printed dust jacket (spine panel toned); original printed card slipcase (toned with some rubbing). LIMITED EDITION, number 151 of 751 copies of which 676 copies are for sale. From the title: “A chronicle of American lithography other than that of Currier & Ives, from its beginning, shortly before 1820, to the years when the commercial single–stone hand–colored lithograph disappeared from the American scene.” Howes P–257.
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PETERS, Harry T. America on Stone: The Other

Estimate $200 - $300
Aug 28, 2021
See Sold Price
Starting Price $100
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Ships from Chicago, IL, United States
Potter & Potter Auctions

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item

0100: PETERS, Harry T. America on Stone: The Other

Sold for $275
8 Bids
Est. $200 - $300Starting Price $100
Fine Books & Manuscripts
Aug 28, 2021 11:00 AM EDT
Buyer's Premium 25%

Lot 0100 Details

Description
...
PETERS, Harry T. America on Stone: The Other Printmakers to the American People. New York: Doubleday, Doran and Company, 1931. 4to. Additional color pictorial title, 18 colored and 136 black and white plates of examples of the work of more than 100 different craftsman from every part of America. Publisher’s grey linen over beveled boards lettered in silver foil; original printed dust jacket (spine panel toned); original printed card slipcase (toned with some rubbing). LIMITED EDITION, number 151 of 751 copies of which 676 copies are for sale. From the title: “A chronicle of American lithography other than that of Currier & Ives, from its beginning, shortly before 1820, to the years when the commercial single–stone hand–colored lithograph disappeared from the American scene.” Howes P–257.

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